An adjunct discusses her experiences with using ‘service learning’ in classes to engage students in militant co-research and community organizing. Such projects can build radical relationships across universities, public schools, and marginalized communities, but require a lot of work – the challenge of building ‘the urban commons.’ Such work must also grapple with the dangers of recuperation in academia. Beyond the university, she discusses her engagement with urban commons in neighborhoods, such as through co-operatives. What kind of advantages and disadvantages does the flexibility of adjunct labor offer? From the position of precarious work and life, how can we organize for mutual aid across our workplaces and communities? Continue reading
An Interview with Claudia Bernardi
From her experiences creating an occupied social center in Rome, Claudia Bernardi speaks of self-organization and self-education between migrants, students, artists, and other precarious workers. Within the global crisis, these spaces of resistance make common institutions that cross the boundaries of the university and city. As a kind of autonomous study center, the project has intertwined labor union organizing with political movements and knowledge production. Building occupations have spread to include artists and other cultural workers who have squatted cinemas and theaters, making culture as a common good. In a time of proliferating borders and frontiers, we all become migrants, struggling across divisions for shared spaces, culture, and knowledge.
Sharon Irish | April 2012
I will be 60 years old in November of 2012. I identify as white, female, heterosexual and middle-class, and I try to be cognizant of these social locations. I grew up in a mobile, middle-class family, the youngest of three daughters. My father was a sociology professor; my mother, who was the family anchor in many ways, worked very hard for not much pay at the jobs she was able to get each time we moved for my father’s job–in child care or in clerical work.
In 1985, after seven years of coursework and somewhat ambivalently-conducted research, I earned my Ph.D. in art history from Northwestern University. My ambivalence stemmed from my difficulty balancing a passion for art history with an awareness of the urgency and necessity for social justice. I have to admit it took me about twenty years of part-time, adjunct teaching to come to terms with my love of art history and how teaching in that area might support social justice work. A national conference of the Women’s Caucus for Art that I attended in 1990 was my first “aha” experience in understanding that feminism and visual culture offered myriad and powerful ways to intervene in US socio-political structures.
I offer two stories out of my teaching experience, since I think some specific examples might be the most useful to others.